I was my greatest honor to be invited to give a violin lecture recital on the topic of "To be, or not to be- the role of music performer", on July 7th, at Art Reading Cafe in Taipei city. I have often been asked about the following questions: What are the purposes of listening to classical music, besides calming our minds after a long day? What do you do in the practice room, besides turning your bloody squeaky wooden box? What does this music MEAN?
As an active performer who has dwelling upon these vey questions for the past twenty something years, I believe that Music is a universal language, not any more specific or vague compared to oral languages (trust me on this). To most performer, music is a language that requires active listening (and text-reading to some extend), interpreting through our own minds, decoding the extra-musical implications hidden behind the staff, then if we're the lucky ones we sit in a practice room and learn to program our body movements in order to re-create the composing process with our instruments, and then present the music to the audience during the concert. While the music is being played by the performer/interpreter: Music is, after all, a tandem art (combination of "art of musical work,", and the "art of the performance"). It is our mission, as performing artists, to find the balance point while being faithful to the text and going further with ethics and aesthetics in music.
I had a blast sharing my thoughts and my understanding of music to a house full of supported friends, using a term from the famous conductor maestro Benjamin Zander, those "shining eyes" overwhelmed me with joy. What more can one ask for?
今年夏天非常榮幸有這個機會，受到彭老師和青田藝集 Art Reading Cafe'的邀請，我與壯壯刻意挑選了四首截然不同時空背景的樂曲，藉此探討音樂家在演奏音樂時的角色，在7月7日星期五的晚餐後，於青田藝集與各位音樂愛好者分享。